Last edited by Editions Milan
19.05.2021 | History

3 edition of La grande traversée des Pyrénées found in the catalog.

La grande traversée des Pyrénées

de Cerbère à Hendaye à toutes crêtes

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      • nodata

        StatementEditions Milan
        PublishersEditions Milan
        Classifications
        LC Classifications1992
        The Physical Object
        Paginationxvi, 63 p. :
        Number of Pages98
        ID Numbers
        ISBN 102867267854
        Series
        1nodata
        2
        3

        nodata File Size: 4MB.


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These layers of memory of history great and small, present and past, and knowledge and emotion are crystallized in works which are like so many plastic fossils. Together these nine short videos tell us everything and nothing.

Ces vestiges voyers illustrent les usages et les destinations.

texts

Otherwise put, as much with places, objects and forms of matter as their accumulated narratives. The films were made with a small camera. Le chemin lie et relie les hommes qui marchent. Firstly because of his photographs showing drug-using friends, reminding me of my own years lost to stupidity and my own friends lost.

Nowadays, all these media mixed together are the basis of his activity, which bears the discreet trace of his punk origins, in the style as well as in the motifs.

Tous portent les signes de leurs fonctions. A white ashtray in the shape of a hand shows a black palm, partly covered with ashes. Le ciel et les abysses sont nos derniers Far West.

MONTPELLIER

Swift and brutal collages of matter and imagery the video of a licked eye caught by an infra-red camera rubs shoulders with a portrait La grande traversée des Pyrénées the underground anarchist icon, Florence Reywith a fondness for things discarded beer cans, a broken refrigerator and industrial materials bitumen, petrol, white spirit. We think of Nan Goldin, Harmony Korine, Larry Clark and Dash Snow.

The background on his desktop is black. A black hood, made from what used to be a pair of trousers, contains only one opening for an eye. The artist now introduces me to nine looped videos he will show in the exhibition. I think the sculpture represents Amor leaning over Psyche. Here starts a new life, dedicated to art. At some point Bourthoumieux 1985 seems to have discovered that one can also sculpt butts.

Tilted by 90 degrees, the sculpture reminds us of the female sex. From time to time we witness the birth of colour, for instance in a video showing a singer performing: the original image was so dark that it had to be brightened. If there is a share of non-control, hunch, and even a delegation of the artistic decision to contingency, fatality or chance, there is also a whole clandestine network of personal and universal histories as well as references to art history which pierce the surface of things.