1 edition of Contes dHoffman found in the catalog.
Opposite pages numbered in duplicate.
|The Physical Object|
|Pagination||xvi, 82 p. :|
|Number of Pages||53|
nodata File Size: 8MB.
Alphotel Gaflei: das KLV-Lager 93 im F urstentum Liechtenstein; Essener Volkssch uler in der Kinderlandverschickung 1943-1944
SPALANZANI darting in turn Stop there! chaste gift LINDORF Admitting that a bohemian Either flyable, dear love! CHORUS OF STUDENTS Drig drig drig Master Luther, Tison of hell, Drig drig drig to contes dHoffman your beer, To us your wine, Until morning Fill my glass, Until morning Fill the tin pots! Cochineal removed the harp and everyone eagerly around Olympia who thanks in turn the right hand and the left hand.
Nathanael Gageons qu'Hoffmann est amoureux! SCENE VI Frantz, Hoffmann, Nicklausse. " Hoffmann, Nicklausse, Cochenille, Olympia, Spallanzani, Chorus. He seems to follow Antonia's gesture, the door of the room closes abruptly. When her father leaves, he commands his servant who is hard of hearing not to let anyone in the house.
ALL less Hoffmann and Nicklausse, laughing, in a muffled voice. MIRACLE Which should be, every morning. Schlemil followed Nicklausse, Dapertutto, Pitichinaccio and some other guests. [reconnaissant Lindorf] Quand on contes dHoffman du diable, on en voit les cornes!
CHOIR OF GUESTS No, no host, really, No longer receiving richly! The number of singers performing Offenbach intended the four soprano roles be played by the same singer, for Olympia, Giulietta, and Antonia are three facets of Stella, Hoffmann's unreachable love.
MIRACLE See, his forehead is alive and his eyes are flaming; Elis raises her hand to her restless heart. THE GHOST Dear child I call As before, It's your mother, it's her! The movement of your waltz comes alive more and more. Choeur [TTB] Tire lan la! He is far away, by luck! Contes dHoffman represent, respectively, the young girl's, the musician's, and the courtesan's side of the prima donna. Where the performance is most flawed is with the production values and staging.
Schlemil I was sure of it!
The waves can they swallow you We will see if the devil You'll get out! COPPELIUS at Hoffmann Young man, Raising the voice.
Yes, wisdom or madness, I wait for it, I want it! Olympia's song is a tour de force of high-note coloratura but every time she goes for the high note her mechanism runs down and her creator, Spalanzani, has to wind her up.
This is the ardent joy and the eternal celebration That your twenty years in bloom are about to give up, For the bourgeois pleasures where we want you chained And brats of children who will make you less beautiful! SPALANZANI going up the scene Stop them! Arriving in the tavern after her performance, the diva Stella finds Hoffmann drunk and leaves with Lindorf.