Last edited by nodata
26.05.2021 | History

3 edition of E. McKnight Kauffer. found in the catalog.

E. McKnight Kauffer.

Howl / the Truth about Brave / Saving Crazy

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        Statementnodata
        Publishersnodata
        Classifications
        LC Classifications1927
        The Physical Object
        Paginationxvi, 90 p. :
        Number of Pages79
        ID Numbers
        ISBN 10nodata
        Series
        1nodata
        2
        3

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McKnight Kauffer and Marion Dorn mid-1920s photographer unknowngelatin silver print; approx. Beginning his professional life as a painter, Kauffer soon embraced poster art as a form of visual communication, enabling the public to view Modern Art through the display of his posters on the streets.

Except for a few commissions to design theatre posters, "America was not ready for him," wrote Frank Zachary in Portfolio 1 1949.

E. McKnight Kauffer: A Designer and His Public: Mark Haworth

Their treatment of the landscape differed: the French tried to evoke the classical landscape of ancient Greece and Rome in a highly stylised and artificial manner; the Dutch tried to paint the surrounding fields, woods and plains in a more realistic way. In England, Kauffer became a well respected designer. In the spring of 1922 Kauffer returned to London with Marion Dorn, American textile designer.

In the early 1900s, Kauffer lived in E. McKnight Kauffer. Francisco and worked as a bookseller whilst studying at Art School in the evenings. A small exhibition of Kauffer's paintings was held at the Elder Art Rooms.

Edward McKnight Kauffer

Ranger - - 1925, Gouache. Kauffer was a modern designer for modern life. In 1921 Kauffer would move to New York City leaving his wife and daughter.